NFTs
Tokenization of Art, Gaming, and the Future of NFTs
Disclosure: The opinions and views expressed here belong solely to the author and do not represent the views and opinions of the crypto.news editorial.
This is the third part of a three-part interview series with William Quigleycryptocurrency and blockchain investor and co-founder of WAX and Tether, led by Ozelli Jungle exclusively for crypto.news. Part One is about Prison sentences for Sam Bankman-Fried and Changpeng Zhao. The second part is about cryptocurrency and banking services. Part Three is about the future of NFTs.
1) In the first part of our interview, you mentioned that you co-founded Worldwide Asset eXchange (WAX), the first decentralized marketplace for trading video game virtual items. Tell us about WAX.io, the number one web3 gaming platform.
WAX was built specifically to meet the demands of blockchain players and NFT collectors. We initially built WAX on the Ethereum blockchain; however, exorbitant gas fees and platform slowness led us to develop the WAX blockchain and wallet.
The WAX blockchain has the largest NFT ecosystem, with over 250 million NFT assets and over 30,000 dApps in NFT projects. The WAX platform handles over 23 million transactions per day for over 30,000 dApps and 15 million users. The Wax blockchain is ultra-fast, secure and carbon neutral.
As the world’s leading blockchain for NFTs, dApps and digital games, based on the number of daily active users, WAX was designed from the ground up to be environmentally friendly. Our carbon neutral status isn’t just a statement – it’s Climate Care certified, demonstrating our dedication to maintaining a minimal environmental footprint.
This Earth Day, we launch the Earthen WAX Walker NFT drop. For every Earthen Walker NFT claimed, WAX will plant a tree. This initiative combines our passion for innovative digital collectibles with tangible actions to benefit our planet, offering a unique digital art collection that will allow us to contribute to global reforestation efforts.
two) A 2023 Crypto Analysis Firm DappGambl Report found that 95% of NFTs are worth practically nothing. The report found that following the immense excitement about NFTs between 2021 and 2022, around 79% of all NFT collections remained unsold. Popular Bored Yacht Ape NFT values are down around 90% from market highs. With the NFT markets crashing at the end of 2021, I wrote that NFTs are here to stay. What are your thoughts on the future of NFTs?
According to Zion Market Research, the size of the NFT market was valued by 36.12 billion dollars in 2023 and is expected to reach 217.07 billion dollars by the end of 2032, showing a compound annual growth rate of around 22.05% from 2024 to 2032.
Non-fungible token industry outlook | Source: Zion Market Research
The global NFT market capitalization today is $68.68 billion, a change of +1.12% in the last 24 hours. I expect most of this growth to occur in utility NFTs, collectible NFTs, and web3 gaming NFTs.
3) In 2021, art NFTs appeared to be the biggest disruptor in art, with artists minting, exhibiting, and auctioning and investors buying, selling, and trading art NFTs. Nicole Sales Giles, Vice President and Director of Digital Art Sales for Post-War and Contemporary Art at Christie’s, said: “At Christie’s, we view Digital Art as simply another contemporary art collection category. The web3 artistic community is collaboratively building something very special. I believe that in the future, the art world will look back on the current camaraderie of artists, builders, curators, and collectors as the moment “when it all began.” What are your thoughts and opinions on the future of artistic NFTs?
The art market knocked down 4% last year to $65 billion a year worldwide, with a few art sales making up most of that number. Art NFTs will likely be managed by global art companies such as Christie’s, Sotheby’s and Phillips.
At WAX, we focus on collectible NFTs and gaming NFTs with high owner trading volume. We hope our collectible NFT Land WAX Walker drop generates intense interest from collectors so we can plant lots of trees.
4) Earnings from collectible NFTs are being taxed at a rate of 28%, which is higher than current capital gains rates. What do you think of the higher tax rate applied to collectible NFTs? And will the higher tax rate deter collectible NFT investing?
The global collectibles market – valued at more than US$360 billion in 2020 – is expected grow at a significant rate of around 4% during the forecast period 2022-2028. Therefore, the 28% higher tax rate shows that the IRS (IRS) foresees huge growth in the area of collectible NFT sales and would like to tax it at a higher tax rate than the current capital gains rate.
Global Collectibles Market | Source: UnivData
5) The IRS recently issued the 1099-DA form in draft form. Jonathan Cutler, a senior manager on Deloitte’s Washington national tax team who advises on digital asset information reporting, said: “In accordance with the August 2023 Digital Asset Reporting Proposal regulations, an NFT is included as reportable when it is a ‘digital representation of value recorded on a cryptographically secure distributed ledger (or any similar technology).’ In April, the draft form on which an NFT or other digital asset can be reported – Form 1099-DA – was published by the IRS. Importantly, the title page notes that this draft is based solely on the proposed regulations and is subject to change based on public comments, the volume of which appears to be significant. Until these comments are digested by the IRS and Treasury, it is difficult to gather meaningful information, whether from this draft form or another, about the ultimate scope of the definition of “digital asset” for reporting purposes.” Do you have any comments on the draft Form 1099-DA that applies to NFTs?
If the 1099-DA project is finalized in its current form, NFT marketplaces will need to issue 1099-DAs. After all, collectible NFTs are taxed at a higher rate.
6) A new NFT project takes cannabis sales out of dark web markets and into NFT markets. Cannabis billionaire Maximillian White, who is often called the ‘Elon Musk of cannabis’, said: “I signed a partnership agreement with British rapper Fredo just weeks after his release from Dubai prison to launch the first of its kind, Dr .NFTs sold on my own NFT marketplace drgreennft.com, which will allow holders of Ethereum-based NFTs to sell recreational cannabis legally around the world. The value of the global cannabis market is expected to reach approximately US$33 billion by the end of 2024 and reach over US$69 billion by 2029, with a compound AGR of 15.4%.” Do you have any thoughts or comments on this first-of-its-kind cannabis NFT initiative?
No comments.
7) NFTs appear to be the next wave of SEC enforcement actions in the digital asset space. Last year, the SEC classified two NFT projects as securities. In August 2023, the SEC Charged Impact Theory, LLC, a Los Angeles-based media and entertainment company, by conducting an unregistered offering of crypto asset securities in the form of NFTs. Impact Theory raised approximately $30 million from hundreds of investors through the offering, claiming to be the next Disney company – its former employer. Two weeks later, in September 2023, the SEC charged and reached settlement with Stoner Cats 2, LLC (SC2), finding that SC2’s $8 million NFT offering called Stoner Cats was a security and therefore SC2 had engaged in an unregistered offering of a security. What is your opinion on the SEC’s enforcement actions in the NFT area?
I was not aware of the SEC’s two settlements with NFT projects, the upcoming Disney Company and the animated web series called Stoner Cats by Mila Kunis and Ashton Kutcher.
However, it seems to me that in these two cases, the NFT offering documents were poorly drafted by their lawyers. The three main things that could give rise to the classification of NFT securities are fractionalizing an NFT, offering passive income, or participating in governance – such as staking. Thus, the SEC found that these NFTs were offered and sold to investors as investment contracts and were therefore securities. Accordingly, these NFT projects violated federal securities laws by offering and selling NFTs to the public in an unregistered offering that was otherwise not exempt from registration.
Given the regulatory compliance involved in issuing securities, this classification should be avoided, and the document offering characteristics of an NFT should be carefully considered before launch.
8) The vast majority of existing NFT projects in art, gaming, sports, metaverses and even cannabis are built on the Ethereum blockchain. In April, the SEC issued a Wells warning to Ethereum-based Consensys, revealing that the agency could take potential action against Consensys for violating federal securities laws through its MetaMask Staking and other products. The SEC seeks to regulate ETH as a security after Ethereum successfully changed its consensus mechanism, transitioning from proof-of-work to proof-of-stake in September 2022. This view is also shared by the US Attorney General’s Office. New York State (NYAG), which, before the SEC on March 9, 2023, filed a lawsuit charging crypto trading platform KuCoin for “failing to register as a securities and commodities broker and falsely representing itself as an exchange,” notably claiming that ETH traded on the platform is a security. BlackRock CEO Larry Fink has stated that he is not concerned about the SEC classifying Ethereum’s ETH as a security. What do you think of ETH’s potential classification as a security? How will this impact the NFT market?
No comments.
NFTs
RTFKT Announces Project Animus Reveal, Launches Egg Unboxing Event Amid Mixed Reactions | NFT CULTURE | NFT News | Web3 Culture
RTFKT, the innovative creator-led company renowned for its cutting-edge sneakers and metaverse collectibles, has officially unveiled its highly anticipated collection, Project Animus. This project marks a significant milestone in RTFKT’s journey, introducing a new dimension to its digital universe after a long period of development. However, the initial market response has been disappointing, with the revealed Animi trading at a floor price of 0.05 ETH, significantly lower than the eggs’ floor price of 0.09 ETH.
The Genesis of the Project Animus
Initially introduced in October 2022, Project Animus introduces a unique ecosystem of digital creatures called Animi. These Animi are designed to enhance Clone X’s avatars, offering an immersive and engaging experience for the community. The recent reveal showcased a diverse range of Animi species, each with distinct design traits and elemental attributes, breaking away from traditional trait-based rarity systems.
A New Digital Frontier: The History and Evolution of Project Animus
The Animus Project is RTFKT’s latest intellectual property, promising to revolutionize the NFT space with its unique digital creatures. The journey kicked off on October 8, 2022, with an interactive teaser event called “The Eggsperience.” This livestream event allowed attendees to explore a virtual Animus Research Facility, generating intrigue and excitement among the community.
Renowned artist Takashi Murakami played a significant role in the project, revealing the first Murakami-themed Animus creature, Saisei, on April 30, 2023. This collaboration added a layer of artistic prestige to the project, further elevating its status within the NFT community.
Animus Egg Incubation: A Journey from Egg to Animi
Clone X NFT holders had the opportunity to claim an Animus Egg until March 1, 2024. This was followed by the Animus Egg Hatching event, which ran from May 7 to June 4, 2024. During this period, holders of several RTFKT NFTs, including Clone X, Space Pod, Loot Pod, Exo Pod, and Lux Pod, were able to use a points-based system to increase their chances of hatching rarer Animi. The limited supply of Project Animus Eggs is capped at 20,000, with no public sale planned.
Mixed market reception
Despite the excitement and innovative features, the market reaction to the reveal of Project Animus has been lukewarm. Animi is currently trading at a floor price of 0.05 ETH, significantly lower than the eggs’ floor price of 0.09 ETH. This discrepancy has led to disappointment among some collectors who had high expectations for the project.
What Awaits Us: The Future of Project Animus
Following the reveal, RTFKT plans to release a collection of exclusive Animus Artist Edition characters. Holders of Clone X Artist Edition NFTs are guaranteed to get one of these special editions. The distribution will include 88 Special Edition Animus, with 8 Mythic (Dragon Sakura), 40 Shiny, and 40 Ghost Animus. The odds of receiving a Special Edition Animus are the same for all Eggs hatched, regardless of the points accumulated.
The remaining Animus characters will be distributed among unhatched Eggs, encompassing Special Edition Animus, as well as Cosmic Animus and Murakami Element from Generation 1, Generation 2, and Generation 3.
Conclusion
RTFKT’s Project Animus represents a bold step forward in the NFT space, combining cutting-edge technology with artistic collaboration to create an immersive and innovative digital ecosystem. However, the initial market reception highlights the challenges of living up to high expectations in the ever-evolving NFT landscape. As the project continues to evolve, it promises to deliver unique experiences and opportunities for its community, solidifying RTFKT’s position as a leader in the metaverse and digital collectibles arena.
Summary: RTFKT has unveiled Project Animus, introducing a unique ecosystem of digital creatures called Animi designed to enhance Clone X avatars. Despite the excitement, market response has been mixed, with Animi trading at a lower floor price than eggs. The project kicked off with an interactive event in October 2022, featuring collaborations with artist Takashi Murakami. Following the reveal, RTFKT will release special edition Animus characters. The total supply of Animus Eggs is limited to 20,000, with no public sale planned.
NFTs
The Olympics have reportedly ditched Mario and Sonic games in favor of mobile and NFTs
The long and historic partnership between Nintendo and Sega to create video games for the Olympics reportedly ended in 2020 as event organizers sought opportunities elsewhere.
Lee Cocker, who served as executive producer on several Mario & Sonic Olympics titles, said Eurogamer the International Olympic Committee let the licensing agreement lapse because it “wanted to look at other partners, NFTs and esports.”
“Basically, the IOC wanted to bring [it] “Turn inward and look for other partners so you can get more money,” Cocker added.
The 2024 Summer Olympics kicked off in Paris last week, but there were no Mario & Sonic games available in time for the event to begin – the first time this has happened since the original release in 2007 to coincide with the 2008 Beijing Summer Olympics.
Over the past two decades, there have been four Mario and Sonic adaptations for the Summer Olympics, as well as two for the Winter Olympics.
This year, instead of a Nintendo/Sega title, the IOC released Olympics Go! Paris 2024, a free-to-play mobile and PC title developed by nWay, which has worked on several Power Rangers games.
Olympics Go! allows players to compete in 12 sports and unlock NFTs from the Paris 2024 digital pin collection.
The original Mario & Sonic at the Olympic Games was announced in March 2007 and marked the first time the two mascots – once archrivals in the console wars of the 1990s – appeared together in a game.
NFTs
DraftKings abruptly shuts down NFT operation, leaving collectors panicking over vast holdings of digital tokens
DraftKings, the daily fantasy sports and sports betting company, abruptly shut down a program called Reignmakers on Tuesday, posting a notice on its website and associated app and sending a mass email to some subset of its user base. Reignmakers, which the company launched in 2021, offered pay-to-play competitions in NFL football, PGA Tour golf and UFC mixed martial arts. The decision to eliminate the entire program, DraftKings says, was not made lightly but was forced “due to recent legal developments.”
DraftKings has yet to specify what “recent legal developments” are troubling its now-dead Reignmakers product. The company was sued in U.S. District Court in 2023 by a Reignmakers player named Justin Dufoe, who accuses the company of dealing in unregistered securities, taking advantage of relatively unsophisticated “retail investors,” and failing to market and support Reignmakers to the degree necessary to return to its users the financial benefits expected. DraftKings filed a motion in September to dismiss Dufoe’s complaint, but that motion was denied on July 2. A scheduling conference was held by the parties on July 29; Reignmakers was permanently shut down on July 30. A DraftKings spokesperson reached by Defector on Wednesday declined to confirm whether Dufoe’s complaint is the “recent legal development” that forced the company’s hand.
Users of the Reignmakers NFL product, who in recent days began murmuring on social channels about a notable lack of DraftKings activity so close to the start of the NFL preseason schedule, were caught off guard and, in some cases, devastated by the news. Members of the DraftKings Discord server, where all Reignmakers-related channels were abruptly shut down and locked following the announcement, flooded a general channel in various states of panic, sharing news, theorizing, lamenting, and, in some cases, openly worrying about whether it would be possible to recoup any decent fraction of the genuinely impressive sums of money they had invested in this DraftKings product.
Reignmakers is nominally a daily fantasy contest—users build lineups of players and then pit those lineups against other users’ lineups for cash prizes—but it’s actually a distributor of nonfungible digital tokens (NFTs), originated and sold by DraftKings, and then frequently resold on a dedicated secondary marketplace also hosted by DraftKings. At the lineup-building level, Reignmakers functions like a card-collecting game, with artificial scarcity driving the prices of the most coveted cards to insane, eye-popping heights. Reignmakers NFTs are tiered and offered in timed drops designed to heighten the sense of scarcity. A user can enter a lower-tier contest using a collection of NFTs that may have cost a few hundred dollars in total (or that were earned by purchasing random packs of NFTs that offer generally low odds of scoring top assets) and throw their lot in with hundreds of casual users competing for relatively unimpressive rewards. Random packs at the lowest tier would have prices as low as a few dollars; mid-tier cards—Star and Elite tiers, I’d guess—could cost a player upwards of $1,000.
But players interested in hunting down the biggest payouts, not just from games but from leaderboard prizes and other assorted prizes, would need to enter higher-tier games, and to enter the higher-tier games, a user’s collection needed to include higher-tier NFTs. DraftKings ensured that these cards were extremely scarce and could only be purchased directly on the marketplace at prices that any reasonable person would consider utterly insane.
For example, the highest-tier Reignmaker contests (called the Reignmakers tier, of course) have in the past been limited to listings with at least two of the highest-tier, rarest NFTs (also the Reignmaker tier) plus three NFTs from the second-highest tier (Legendary). NFTs at these tiers are expensive. Not just expensive in the way that, like, a steak dinner is expensive, but expensive in the way that buying even one of them should trigger a mandatory visit to a gambling addiction counselor, if not sirens and a straitjacket. Back in 2022a Reignmaker-level Ja’Marr Chase NFT from something called the Field Pass Promo Set could be purchased directly from the DraftKings Reignmaker Marketplace for a whopping $32,100.
Reignmakers users purchased NFTs at various levels with the expectation that owning them would convey better odds of winning contests hosted on DraftKings. This was the gamification element of Reignmakers, which emerged several months after DraftKings began trading and minting its NFTs. But as with all NFTs, a very large part of the real appeal for its buyers was the expectation, however insane, that these worthless, virtually worthless, infinitely duplicable digital images would increase in value over time. Now that both the Reignmakers game and the Reignmakers marketplace have been shut down, Reignmakers NFT holders are worried that their investments may have suddenly lost all monetary value. One Discord user described Tuesday as “a bad day to wake up and realize you have $2,000 worth of unopened NFL Rookie Packs”; Another user asked the group if they should expect “a refund” on the $10,000 they’ve already spent on Reignmakers NFTs this year. A pessimistic Reddit user posted tuesday that they would sue DraftKings if they were forced to take a total loss on a Reignmakers NFT collection worth approximately $100,000.
The game (scam?) was built to make numbers like these not only possible, but somewhat easily achievable. A user who intended to compete from a position of strength in multiple overlapping high-profile contests at the same time, and who had been in the blockchain madhouse for a period of years, could easily have spent six figures on Reignmakers NFTs. DraftKings used non-gaming incentives to entice players to spend more and more money, much like casinos give away free suites to players who over-bet on blackjack. Another Reddit user lamented the loss of the additional prizes and ranking bonuses he had hoped to earn in the upcoming NFL season by having a portfolio of NFTs that had reached the highest levels of value and prestige. “I was already loaded up on 2024 creation tokens and rookie debut cards,” said this Reignmakers userwho claimed his portfolio was finally “close to the top 250 overall.”
Dufoe’s complaint says the NFTs minted by DraftKings for Reignmakers qualify as securities, function like securities, and should be regulated as securities. In its motion to dismiss, DraftKings attempted to position its NFTs as game pieces — eye-wateringly expensive, yes, but essentially the same thing as Magic: The Gathering cards or Monopoly hotels. The court, in resolving these arguments, applied what’s known as “the Howey test,” referencing a case from 1946 in which the U.S. Supreme Court established a standard for determining whether a specific instrument qualifies as an investment contract. Judge Dennis J. Casper, in ruling against DraftKings’ motion, concluded that Dufoe could plausibly argue that Reignmakers’ NFT transactions represent “the pooling of assets from multiple investors in such a manner that all share in the profits and risks of the enterprise,” arguing that DraftKings’ absolute control over the game and marketplace effectively binds the financial interests of the company and the buyers, the latter of whom depend on the viability of both for their NFTs to retain any value.
Reignmakers users are different from Monopoly players in at least one crucial way: A person who buys a Monopoly board has no expectation from Hasbro that those little red and green pieces will appreciate in value. It’s a game! No matter what any hysterically conflicted party may say to the contrary, that’s not what NFT collecting is. DraftKings had been selling Reignmakers NFTs for months before they were gamified, and Dufoe, in his complaint, cites public comments made by DraftKings spokespeople that seem to explicitly position Reignmakers NFTs as assets with independent monetary value beyond their utility in Reignmakers contests. Judge Casper, in his ruling on the motion to dismiss, cites a Twitter account associated with a podcast run by DraftKings CEO Matthew Kalish, who in a tweet described NFTs as “the opportunity to invest in startups, artists, operations, and entrepreneurs all at once.” This is probably the kind of thing that NFT peddlers should stop saying. This advice assumes, of course, that NFTs will continue to exist as instruments on the other side of this and other lawsuits.
DraftKings has posted a worryingly sparse FAQ at the bottom of the your ad Tuesday, anticipating but largely failing to address questions from players who see this as yet another in a long line of brutal blockchain rug pulls. In a hilarious reversal of existing Reignmakers policy, Reignmakers users are now allowed by DraftKings to withdraw their Reignmakers NFTs from their DraftKings portfolios and into their personal NFT wallets, where those NFTs will have precisely zero value, to anyone, for the rest of all time. There’s also vague language about Reignmakers users having the option to “relinquish” their NFTs back to DraftKings in exchange for “cash payments,” subject to “certain conditions” and according to an as-yet-unspecified formula that will take into account, among other things, the “size and quality” of a player’s collection.
Reignmakers users are not optimistic. Those who claim to have been victims of other blockchain market crashes are warning their peers on Discord and Reddit to expect payouts that amount to pennies on the dollar; in the absence of any clarifying information, users are unsure whether cashing out their NFTs from Reignmakers to their personal NFT wallets, for reasons that completely pass any and all understanding, would effectively preclude the possibility of delivering these silly digital tokens back to DraftKings. It remains to be seen what exactly DraftKings has in mind with the “certain conditions” attached to the delivery process. There is much that has yet to be resolved. A DraftKings spokesperson contacted by Defector indicated that more time would be needed to answer a list of specific questions and issued a statement noting that it is “in DraftKings’ DNA to innovate and disrupt to provide the best possible gaming experiences for our customers.” The original complaint is embedded below.
Do you know anything about the demise of Reignmakers, either from the consumer side or from the DraftKings side? We’d love to hear from you. Get it in touch!
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NFTs
There Will Be No More ‘Mario & Sonic’ Olympics Because of NFTs
Nintendo and SEGA have been teaming up with the Olympics for several years now in the popular Mario & sonic in the Olympic Games series, but a new report claims the International Olympic Committee has abandoned the series in favor of new deals in eSports and NFTs.
According to Eurogamer“A veteran behind the series,” Lee Cocker, told the outlet that the IOC chose not to renew its license with SEGA and Nintendo, letting it expire in 2020. “They wanted to look at other partners and NFTs and eSports,” Cocker told Eurogamer. “Basically, the IOC wanted to bring [it] turn inward and look for other partners so they could get more money.”
Mario & Sonic at the Olympic Games is a series that has been running since 2008, with six main games covering the regular and Winter Olympics. In the games, players could control various characters from the Mario and Sonic franchises and compete in Olympic sporting events.
It’s no secret that NFTs are a big part of this year’s Paris 2024 Olympics. Olympics Go! Paris 2024 is a mobile and mobile-connected game your site states that players can “join the excitement of the Paris 2024 Olympic Games with nWay’s officially licensed, commemorative NFT Digital Pins collection honoring Paris 2024!”
As for eSports, Saudi Arabia will host the ESports Olympic Games in 2025. This is part of a partnership with the Saudi National Olympic Committee (NOC) that is expected to last for the next 12 years and is expected to feature regular events.
IOC President Thomas Bach said: “By partnering with the Saudi NOC, we also ensure that Olympic values are respected, in particular with regard to the game titles on the programme, the promotion of gender equality and the engagement with young audiences who are embracing esports.”
In other news, Someone claimed they’re suing Bandai Namco because Elden Ring is too difficult.
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